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Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema (International Library of Cultural Studies)
Robert Robertson你有多喜欢这本书?
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The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his handful of films have had on the development of cinema. Less is known about his remarkable & extensive writings, which present a continent of ideas about film. Here Robert Robertson explores a significant area of Eisenstein’s thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before with the advent of digital technology--music & sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex exciting subject with more depth & originality than any other practitioner. Eisenstein on the Audiovisual is essential reading for anyone who deals with the audiovisual in cinema & related audiovisual forms, including theatre, opera, dance & multimedia.
Robert Robertson is a composer & filmmaker. He has an MFA in Film Production from the Mel Hoppenheim School of Cinema, Montreal. His music/films include Oserake & the River that Walks, Doors of the Spirits & I’m Back, and he has composed the operas The Kingdom, The Cathars, & Enoedickes. He has been influenced by Eisenstein’s ideas since 1977, & this book is the result of his doctoral research at King’s College London, UK.
种类:
年:
2009
语言:
english
页:
304
ISBN 10:
1845118391
ISBN 13:
9781845118396
文件:
PDF, 4.29 MB
您的标签:
IPFS:
CID , CID Blake2b
english, 2009
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