Horror For RAICES_A Charitable Anthology Edited by Jennifer Wilson and Robert S. Wilson

Edited by Jennifer Wilson and Robert S. Wilson

All rights reserved.

“An Aviary in the Atrium” copyright © 2019 by Brooke Warra

“At the End of the Pier” was originally published as “Cold Grave” in Dead Bait IV, copyright © 2017

“House of Windows” was originally published in Phantasmagorium Issue 2, copyright © 2012 by Paul Tremblay

“The Sea Hoax” copyright © 2019 by Farah Rose Smith

“Ganesha Consumes” was originally published as “The Great Grey Bulk” in Phantasm/Chimera, copyright © 2017 by Jon Padgett

“245 to New Xebico” copyright © 2019 by Todd Keisling

“Butcherbird and Cuckoo: A Flavescent Exhibition of Ponceau Emotions” copyright © 2019 by Fiona Maeve Geist

“Vox Populi” copyright © 2019 by Jayaprakash Satyamurthy

“The Two-Wheel System” was first published in Walk on the Weird Side, copyright © 2017 by Matthew M. Bartlett

“Fire (Fables of the Reconstruction)” was first published as “Fire” in Fire., copyright © 2017 by Elizabeth Hand

“Still Life With Extinct Animals” copyright © 2019 by Jeffrey Thomas

“Play With Me” copyright © 2019 by Ramsey Campbell

“All the Windows and All the Doors” was first published in Chopping Block Party: An Anthology of Suburban Terror, copyright © 2017 by Damien Angelica Walters

“A Nervous Sleep” copyright © 2019 by Max Booth III

“There is a Bear in the Woods” was first published in Autumn Cthulhu, copyright © 2016 by Nadia Bulkin

“Mercury” copyright © 2019 by Livia Llewellyn

“All the Ways to Hollow Out a Girl” copyright © 2019 by Gwendolyn Kiste

“The Town Manager” was first published in Weird Tales, September-October 2003, copyright © 2003 by Thomas Ligotti

“It's Always Summer in the Tower” copyright © 2019 by Jessica McHugh

“We Were Made of Love Once” copyright © 2019 by Christopher Ropes

“Soul of Me” was first published in The Burning Maiden 2, copyright © 2016 by Laird Barron

“ζῆ καὶ βασιλεύει” was first published in Ideomancer Speculative Fiction 14.1, copyright © 2015 by Sonya Taaffe

“And, in the End, a Reckoning of What I Have Bec