Reading Jackie: Her Autobiography in Books

A Look Inside Reading Jackie

Jackie and ICP director Cornell Capa
Courtesy of the International Center of Photography

JFK and Jackie at their wedding
Courtesy of Toni Frissell--Sidney Frissell Stafford

Jacqueline Kennedy, 1957. She told her Doubleday colleague Ray Roberts that she remembered the picture being taken at “10 a.m. in full evening dress and he scared me to death!”
Courtesy of Yousuf Karsh

During the last two decades of her life, Jacqueline Kennedy Onassis worked on nearly 100 books with varying degrees of responsibility as an editor, first at Viking--she resigned after being castigated by the New York Times about a Viking thriller with a Ted Kennedy–like protagonist as an assassination target--and then at Doubleday, which promised to avoid any similar embarrassments. Her love of dance led to Onassis publishing a biography of Fred Astaire and autobiographies of Martha Graham, Judith Jamison, and Gelsey Kirkland. Kuhn (The Politics of Pleasure: A Portrait of Benjamin Disraeli) is particularly dismissive of Kirkland and her then-husband/collaborator Greg Lawrence's bestselling tell-all accusing George Balanchine of cruelties; not coincidentally, Lawrence is the author of a competing book, Jackie as Editor. With biographies of Clara Bow and Jean Harlow, the quietly feminist Onassis insisted on getting beyond publicity photo images to tell a woman's true story, says Kuhn. Being seen as royalty herself as the widow of JFK, the often imperious Onassis commissioned more than a dozen books on the royalty of India, ancient Egypt, Versailles, and Romanov Russia. Although this lucid, amply detailed catalogue of Onassis's publishing projects offers a window into her passions and opaque personality, it is far from what Kuhn dubs "the only autobiography she ever wrote"--most readers will not find it revelatory. (Dec.)
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